There’s an argument to be made that “the real monster is trauma” has become an overused trope in modern horror. Hereditary, The Babadook, and, much less effectively, Smile, are just a few higher-profile examples. But, if you ask me, few films have deployed this trope quite as effectively as the 2020 film His House.
The film follows Bol and Rial, refugees from South Sudan, played by Sope Dirisu and Wunmi Mosaku. Both deliver the kind of incredible performances that you rarely see in a genre film like this. It’s part of what elevates His House above the standard “haunted by trauma” fare. Mosaku, in particular, shows the sort of nuance and scr …
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